Zamir Sıfat@zamirsifat· 5ay🇹🇷
yapmış olduğum bir sunumda “waiting for godot yazıldı. artık kitap yazılmasına gerek yok.” demiştim. bütün salon üstümden geçti. lafımın arkasındayım. çok büyük bir eser.
2
EdebiyatKurgu
Waiting for Godot
- Yayıncı
- FABER AND FABER
- Sayfa
- 94
- Dil
- English
- Yayın yılı
- 1973-01-01
Özet
Product Description "Nothing happens, nobody comes, nobody goes, it's awful?" Estragon's complaint, uttered in the first act of "Waiting for Godot", is the playwright's sly joke at the expense of his own play - or rather at the expense of those in the audience who expect theatre always to consist of events progressing in an apparently purposeful and logical manner towards a decisive climax. In those terms, "Waiting for Godot" - which has been famously described as a play in which "nothing happens, twice"- scarcely seems recognizable as theatre at all. As the great English critic wrote "Waiting for Godot jettisons everything by which we recognize theatre. It arrives at the custom-house, as it were, with no luggage, no passport, and nothing to declare; yet it gets through, as might a pilgrim from Mars." Produced at the state of the art recording studios of the Canadian Broadcasting Corporation with sound effects and music. Performed by James Blendick, Joe Dinicol, Tim MacDonald, Tom McCamus, and Stephen Ouimette Music composed and performed by Don Horsburgh Approximate Duration 2 Hours Review Theatrically entertaining "Waiting for Godot" features two readers who know how to parry and spare their lines for best effect. -- Booklist, July 2001 From AudioFile Beckett's WAITING FOR GODOT has been called the quintessential play of the twentieth century. This 1997 Stratford Festival production, recorded before an audience in Toronto, benefits from good casting and wise direction. McCamus and Ouimette, as the attendant Vladimir and Estragon, have a rapport that's evident from their first lines, and their rapid exchanges of dialogue are often very funny. Blendick brings a sonorous, Orson Welles-like voice to the frighteningly absurd character of Pozzo. The small ensemble adheres well, and it's supported by convincing sound effects, music, and recording quality. D.B. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Bu kitap hakkında gönderiler
Bookspace topluluğundan 1 gönderi
