Edmund Spenser's Amoretti and Epithalamion A Critical Edition
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Edmund Spenser's Amoretti and Epithalamion A Critical Edition

Kenneth J. Larsen

Yayıncı
Creative Media Partners, LLC
Sayfa
306
Dil
English
Yayın yılı
2015

Özet

<p>This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.</p> <p>This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.</p> <p>Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.</p>

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aycan@opheliaaa· 4ay🇹🇷

Sonnet 54 Of this world's theatre in which we stay, My love, like the spectator, idly sits, Beholding me that all the pageants play, Disguising diversely my troubled wits. Sometimes I joy when glad occasion fits, And mask in mirth, like to a comedy; Soon after, when my joy to sorrow flits, I wail and make my woes a tragedy. Yet she, beholding me with constant eye, Delights not in my mirth, nor rues my smart; But when I laugh, she mocks, and when I cry, She laughs and hardens evermore her heart What then can move her? If nor mirth nor moan, She is no woman, but a senseless stone. edmund spenser’s amoretti

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