Fantastic Tales Visionary and Everyday

<b> The true theme of the nineteenth-century fantastic tale is the reality of what we see: to believe or not to believe in phantasmagoric apparitions, to glimpse another world, enchanted or infernal, behind everyday appearances. from Calvino s introduction to <i>Fantastic Tales</i></b><br> <br> Vampires, ghosts, and other horrors abound in this collection of nineteenth-century fantastic literature, selected and edited by Italo Calvino, a twentieth-century master of the speculative. This posthumously published anthology of enchanting, uncanny, terrifying, and immortally entertaining short stories includes E.T.A. Hoffmann s The Sandman, Nikolai Gogol s The Nose, Edgar Allan Poe s The Tell-Tale Heart, Robert Louis Stevenson s The Bottle Imp, and many more, each with an introduction by Calvino. <i>Fantastic Tales</i> is a delight for the mind and a feast for the senses.<br><br> Impressive and utterly pleasing . . . Each story [Calvino] picks is absorbing, unique, and continually surprising. <i>Los Angeles Times</i><br> <br> ITALO CALVINO (1923 1985) attained worldwide renown as one of the twentieth century s greatest storytellers. Born in Cuba, he was raised in San Remo, Italy, and later lived in Turin, Paris, Rome, and elsewhere. Among his many works are <i>Invisible Cities</i>, <i>If on a winter s night a traveler</i>, <i>The Baron in the Trees</i>, and other novels, as well as numerous collections of fiction, folktales, criticism, and essays. His works have been translated into dozens of languages.<br>"