
This third book in the <i>Cool Memories</i> series is culled from Baudrillard's notebooks in the period when he was composing <i>The Illusion of the End</i> and <i>The Perfect Crime</i>. In it, he resumes his investigation of the meta-metaphysics of objects. Like its predecessors, the book is a work of brief meditations, of poetic musings: in a word, of fragments.
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