
by Mark Kermode
<p>If blockbusters make money no matter how bad they are, then why not make a good one for a change?<br><br>How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years? <br><br>Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand? <br><br>And, in a world where <i>Sex and the City 2 </i>was a hit, what are film critics even for? <br><br>Outspoken, opinionated and hilariously funny, <i>The Good, The Bad and The Multiplex </i>is a must for anyone who has ever sat in an undermanned, overpriced cinema and wondered: 'How the hell did things get to be this terrible?'</p>
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