
A towering figure of political, philosophical, and literary controversy, Miguel de Unamuno was the undisputed intellectual leader of the brilliant Generation of 1898 that ushered in a second golden age of Spanish culture. In the vast and varied body of his work, none conveys his intellectual legacy more effectively than <i>Mist,</i> a monument of the philosophical novel and a masterpiece of modern experimental fiction.<br> <br> <br> <br> Dispensing with the conventions of action, time and place, and analysis of character, <i>Mist</i> proceeds entirely on the strength of dialogue that reveals the struggles of what Unamuno called his "agonists." These include Augusto Perez, the pampered son of a recently deceased mother; the deceitful, scheming Eugenia, whom Augusto obsessively idealizes; and Augusto's dog Orfeo, who gives a funeral oration upon his master's death. <i>Mist</i> even includes a chapter that explains Unamuno's theory of the antinovel.<br> <br> <br> <br> Anticipating later writers such as Albert Camus and Jean-Paul Sartre, Unamuno exploited fiction as a vehicle for the exploration of philosophical themes. First published in 1914, <i>Mist</i> exemplified a new kind of novel with which Unamuno aimed to shatter fiction's conventional illusions of reality. It is an antinovel that treats its fictionality ironically. This historic reissue includes a foreword by Theodore Ziolkowski.<br> <br>
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